In Plato’s famous dialogue, Socrates argues that the eponymous Ion and his fellow rhapsodes (the slam artists of Ancient Greece) are possessed by the gods whenever they tread the boards. According to this tradition, the artist, in the throes of creation, is under the influence — be it of the Muses, drugs, alcohol, a dream vision or some other variant of divine inspiration. Ionic Man does not speak: he is spoken through (or played upon like Coleridge’s Aeolian harp), hence the cult of “spontaneous prose” in its various guises. The work of art comes as easily as leaves to a tree, appearing fully-formed in a blinding flash of inspiration or in an accretive, free-associative manner as if under dictation. In both cases, logorrhoea beckons.