I think what I’m ultimately trying to say is that it’s dangerous to say too much too definitively about craft in the abstract. If you feel absolutely overwhelmed by a project – that’s good. If you have absolutely no idea how or where to begin – that’s good too. No matter where one is in one’s career, a writer, it seems to me, ought to feel more or less completely at sea as they begin to approach the question or the subject they hope to address. There are two kinds of repetition. There is the kind we find inside our work, the themes that burble up lava-like from our subconscious again and again, and which we cannot resist and should not, I think, criticize in others. And then there is the repetition that ought to be resisted, that which gives us a program, a strategy that can be applied to any subject. This we should criticize in others. Art should never be the result of habit, it should strive eternally for the fresh and the new even when we work in forms we did not invent. Craft, we should vigilantly remind ourselves, means to make something absolutely new where before there was nothing at all.