I’d argue that Twitter is a lovely and appropriate medium for voices that have traditionally been shouted down, shut out or ignored by the places that court the Franzens of the world. There’s a long history – maybe Franzen doesn’t know it? – of women using the materials at hand, whatever’s available to them to make art or make a case. I’d argue that feminist Twitter, women writers advocating for their work, one hundred and forty characters at a time, is a part of that history.