Tag Archives: Short Stories

9: The Thing Around Your Neck

The Thing Around Your NeckThe Thing Around Your Neck by Chimamanda Ngozi Adichie

4 out of 5 stars.

Bought at the Book Shop in Penticton.

Read in June 2014.

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The stories…

  • “Cell One” — Nnamabia, the teenage brother who’s getting into trouble, ends up in jail.
  • “Imitation” — Nkem, the wife who lives in “America”* with her children, while her husband, a Big Man, lives in Nigeria.
  • “A Private Experience” — Chika, who is Igbo and Christian, is helped by a woman who is Hausa and Muslim when they are caught in a riot.
  • “Ghosts” — retired professor at university to check on his pension that never comes, runs into colleague he thought was dead for past 30 years.
  • “On Monday of Last Week” — helicopter parent dad, artist mom, babysitter who gets her hopes up.Books from The Book Shop
  • “Jumping Monkey Hill” — writers retreat in S. Africa, organized by lecherous old man. Story within the story (i.e. workshopped story) is based on real life, but ‘not plausible’ to old man, of course.
  • “The Thing Around Your Neck” — winning the American visa lottery, give and take, and the American bf who thinks he understands it all.
  • “The American Embassy” — the journalist’s wife applying for asylum after her husband flees and her son is accidentally shot/killed by the government agents looking for him.
  • “The Shivering” — the grad student at Princeton who’s visited by a neighbor who she assumes is a student, too. They become friends and she discovers he’s not.
  • “The Arrangers of Marriage” — the new wife whose husband is trying too hard to assimilate and, oops, has failed to mention he’s already married.
  • “Tomorrow is Too Far” — the woman absorbed with guilt over the death of her brother when she was 10.
  • “The Headstrong Historian” — family history from grandmother Nwamgba to granddaughter Grace/Afamenfuna, who becomes a historian, reclaiming the stories that had been suppressed by colonial rule.

I especially liked “Jumping Monkey Hill” and “The Headstrong Historian,” but these stories are all so good. They read so effortlessly, which means the crafting of them was quite the opposite.

(*language tangent: Canadians don’t say “America”; we say “the States” or “the US” b/c Canada is also part of America-the-continent. “American” as a demonym for citizens of US is weird, when you think about it. People from all countries in the Americas are Americans. I’ve seen people on Twitter use “USian”—maybe that will catch on?)


beginnings and endings

I only just now figured out what it is about collections of short stories that turn me off. … I don’t like beginnings and endings in fiction. This is true for novels as well. It generally takes 3 to 4 times as long as it should to get through the first 8 to 10 pages of a novel, given my usual middle-of-the-book reading speed; it’s like there’s this big activation energy I have to overcome, all these additional resources I have to put into figuring out the characters, setting, tone, what’s going on, what’s the style, how do I read this, etc. Then you ease into it and it’s smooth sailing for at least 150 pages. Unfortunately, I tend to get antsy toward the ends of things. I think it’s because I like finishing books; it gives me a sense of accomplishment and means I can start something new. So I rush a little toward the end and miss things; too, I overanalyze them, because writers fret over endings and I’m more likely to question the decisions there and feel like something falls flat or feels false. So there’s a certain amount of dread as I approach the last 10-15 pages of the book.

Elisa Gabbert

This is a long quote, because yes! All of this. Although, I don’t know that I’d say I don’t like beginnings per se, but I do find them more difficult to get into / slower reading than middles. Partly I think it’s that when I start a new book I still have one foot in the-book-I-was-previously-reading’s ending. So there’s a transitional phase there.

Endings… well. It’s true I often find endings disappointing. They’re so rarely as good as the rest of the story. Endings are hard. Or maybe I am just super nitpicky.

I have come to the conclusion that the way to read short stories is one at a time, which may seem obvious, but when you’re mainly a novel-reader who’s used to getting in that middle-of-the-book zone where you just buzz from one chapter the next devouring the book, stopping and setting the book aside for a while after you finish each story is kind of an “ohhh” moment. So what with all the beginnings and endings and pausings, it makes sense that story collections are much slower reads for me than novels.

Now that I’ve let go of the expectation of being able to read a story collection like a novel, I’m less reluctant to pick one up. There’s still some hesitation, though, because of all those beginnings and endings. (But then you read a gem of a story and it makes it all worth it.)

26: Friend of My Youth

Friend of My YouthFriend of My Youth by Alice Munro

My rating: 4 of 5 stars

From the Book Shop in Penticton.

Read in October 2013.

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I picked this as my next read after Alice Munro won the Nobel Prize. I had several Munros on my to-read shelf so it seemed like the right time to take one off the pile.

Most of the stories are about women of Munro’s generation, women who, like her, married young and (often) later divorced. I wonder if somewhere in her oeuvre there’s a story about a woman who gets stuck using her first husband’s name for the rest of her life because that’s the name she first published under? We could have known her as Alice Laidlaw.

In Munro’s bio, it’s stated that she left university after two years because her scholarship only covered two years. But I’ve often wondered about that, the official reason, and reading the stories in this collection makes me wonder more. Canadian tuition is nothing like American tuition, even now. Back in the day anyone working full-time in the summer/part-time during the school year would have made enough to cover expenses for the year, assuming they lived frugally. In Munro’s writing, there’s always the official story, the one we tell—to others, to ourselves—and then there’s what lies beneath. Like many of her characters, Munro married immediately after leaving university. Unlike some of her characters, she didn’t return to school later. Which she could have—UVic opened in 1963, when her older daughters were school-age and her youngest daughter hadn’t yet been born. But I’m guessing by that point she didn’t think she needed any more school. She was already a writer.

Speaking of UVic, it’s always a surprise when one of her stories is set in Victoria or Vancouver. In this collection, there are two. “Five Points” (in part) and “Differently.” People always talk about her being from Southern Ontario and her stories being set there, but she actually lived for twenty years in BC (from the early 1950s to early 1970s; her 20s and 30s) and all her children were born here. Presumably, the older ones at least consider BC home, not Ontario.

Anyway, onto the collection.

In “Friend of My Youth” a woman recalls the stories her mother told her about the two years she spent as a teacher before being married when she lived with a family of “Cameronians.” The narrator is a writer so she imagines the ending, the part of the story she doesn’t know.

I had my own ideas about Flora’s story. I didn’t think that I could have written a novel but that I would write one. I would take a different tack. I saw through my mother’s story and put in what she left out. My Flora would be as black as hers was white. Rejoicing in the bad turns done to her and in her own forgiveness, spying on the shambles of her sister’s life. A Presbyterian witch, reading out of her poisonous book. (20-21)

In “Five Points” Brenda is a having an affair with Neil. Brenda is only a few years older but feels like the age gap is more because she married and never left town and Neil is from Victoria and has moved around. There’s a story-within-a-story of a convenience store (Five Points) from Neil’s childhood and the daughter of the family who owned it. Brenda and Neil’s relationship has lost its initial sheen, is starting to sour.

What Brenda has seen of Victoria, in pictures, is flowers and horses. Flowers spilling out of baskets hanging from old-fashioned lampposts, filling grottoes and decorating parks; horses carrying wagonloads of people to look at the sights.

“That’s all just tourist shit,” Neil says. “About half the place is nothing but tourist shit. That’s not what I’m talking about.” (27)

(That made me lol. Encapsulates the whole people-who-have-actually-lived-in-Victoria vs. people-who-haven’t dichotomy.)

In “Meneseteung,” a first-person narrator tells the story of the “poetess” Almeda Joynt Roth. I’ve read this one before, in the English course I took a few years ago. Meda is a spinster, but for a time the town thinks she may marry widower Jarvis Poulter. Then one summer morning she thinks she’s found a dead woman at her back gate and runs to Jarvis for help.

She puts a wrapper over her nightdress and goes downstairs. The front rooms are still shadowy, the blinds down in the kitchen. Something goes plop, plup, in a leisurely, censorious way, reminding her of the conversation of the crow. It’s just the grape juice, straining overnight. She pulls the bolt and goes out the back door. Spiders have draped their webs over the doorway in the night, and the hollyhocks are drooping, heavy with dew. By the fence, she parts the sticky hollyhocks and looks down and she can see.

A woman’s body heaped up there, turned on her side with her face squashed down into the earth. (65)

In “Hold Me Fast, Don’t Let Me Pass” middle-aged biology teacher Hazel goes to Scotland after her husband, Jack, dies to see the places where he spent time during the war. They had planned to go together, of course. Hazel expects the people he always talked about will have left or died, but it turns out they’re all still there. No one remembers her husband, though. Or at least they say they don’t.

She doesn’t mind letting people know that when she was in her thirties she had what used to be called a nervous breakdown. For nearly two months she was unable to leave the house. She stayed in bed much of the time. She crayoned the pictures in children’s coloring books. That was all she could do to control her fear and unfocussed grief. Then she took hold. She sent for college catalogues. What got her going again? She doesn’t know. She has to say she doesn’t know. Maybe she just got bored, she has to say. Maybe she just got bored, having her breakdown.

She knew that when she had got out of bed (this is what she doesn’t say), she was leaving some part of herself behind. She suspected this was a part that had to do with Jack. (83)

In “Oranges and Apples” Murray marries Barbara, a clerk in his father’s store. After his father dies, he runs the family business into the ground. Now Murray and Barbara run a small camping resort. The story shifts between past and present, filling in their backstory. Barbara is a bit of an enigma.

And it turns out that she doesn’t want to be a teacher, or a scholar, or a librarian, or an editor, or to make television documentaries, or review books, or write articles. The list of things that Barbara doesn’t want to do is as long as your arm. Apparently she wants to do what she does—read, and go for walks, eat and drink with pleasure, tolerate some company. And unless people can value this about her—her withdrawals, her severe indolence (she has an air of indolence even when she’s cooking an excellent dinner for thirty people)—they don’t remain among the company she tolerates. (111)

Books from The Book ShopIn “Pictures of the Ice” retired minister and recent widower Austin tells everyone he’s moving to Hawaii to marry a widow, but it turns out he’s really going to middle-of-nowhere Ontario to work himself to death.

She thinks now that he knew. Right at the last he knew that she’d caught on to him, she understood what he was up to. No matter how alone you are, and how tricky and determined, don’t you need one person to know? She could be the one for him. Each of them knew what the other was up to, and didn’t let on, and that was a link beyond the usual. Every time she thinks of it, she feels approved of—a most unexpected thing. (155)

In “Goodness and Mercy” Averill and her mother Bugs (aka June) are on a passenger-carrying freighter, crossing the Atlantic. Bugs is dying but they have kept this a secret from the other passengers. Averill is coming to terms with her mother’s impending death.

The captain did not seem to her a needy man. He did not need to disturb you, or flatter, or provoke, or waylay you. None of that look at me, listen to me, admire me, give me. None of that. He had other things on his mind. The ship, the sea, the weather, the cargo, his crew, his commitments. The passengers must be an old story to him. Cargo of another sort, requiring another sort of attention. Idle or ailing, lustful or grieving, curious, impatient, mischievous, remote—he would have seen them all before. He would know things about them right away, but never more than he needed to know. (167)

In “Oh, What Avails” Joan and Morris grow up with their widowed mother in small-town Ontario. Joan leaves town; Morris doesn’t. Joan marries, lives with her family in Ottawa. Later she divorces, moves to Toronto, manages a bookstore.

She doesn’t understand yet that she doesn’t want to take anything back to Ottawa because she herself won’t be staying in the house there for much longer. The time of accumulation, of acquiring and arranging, of padding up the corners of her life, has come to an end. (It will return years later, and she will wish she had saved at least the wineglasses.) In Ottawa, in September, her husband will ask her if she still wants to buy wicker furniture for the sunroom, and if she would like to go the wicker store, where they’re having a sale on summer stock. A thrill of distaste will go through her then—at the very thought of looking for chairs and tables, paying for them, arranging them in the room—and she will finally know what is the matter. (202)

In “Differently” Georgia visits her dead ex-friend Maya’s widower in Victoria and remembers how everything—their friendship, her marriage—fell apart.

The people who came into the store liked the look of a girl—a woman—like Georgia. They liked to talk to her. Most of them came in alone. They were not exactly lonely people, but they were lonely for someone to talk to about books. Georgia plugged in the kettle behind the desk and made mugs of raspberry tea. Some favored customers brought in their own mugs. (229)

In “Wigtime” Anita runs into her childhood bff Margot while she is caring for her dying mother. Margot married the school bus driver (presumably after he divorced his wife) and had five kids.  Anita became a nurse (Margot’s pre-hooking up with the bus driver ambition), moved to the Yukon, married a doctor, divorced, got a PhD in anthropology.

People who approved of the course Anita had taken in life usually told her so. Often an older woman would say, “Good for you!” or, “I wish I’d had the nerve to do that, when I was still young enough for it to make any difference.” Approval came sometimes from unlikely quarters. It was not to be found everywhere, of course. Anita’s mother did not feel it, and that was why, for many years, Anita had not come home. Even in her present sunken, hallucinatory state, her mother had recognized her, and gathered her strength to mutter, “Down the drain.” (255-256)

I think that’s a good place to end 😉

5: Ayiti

AyitiAyiti by Roxane Gay

My rating: 4 of 5 stars

maybe even 4.5?

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I ordered this one from Amazon:

New Books

I’ve been a Roxane (with one N!) Gay fan ever since I discovered her. She goes to see All the Movies and writes the most amazing posts about them. Ayiti is her first book.

“Ayiti” is the pronunciation of Haiti in Haitian Creole. So these are stories of and about Haiti, Haitians, and the Haitian diaspora. Roxane’s parents immigrated from Haiti (to the US) and they still spend part of their time there.

Ayiti is a collection of short fiction and nonfiction. Some of the stories are flash length, some longer. At just over 100 pages, it isn’t a long book, but it is a powerful one. Her writing style is at once matter-of-fact and layered with sensory detail. It has a deceptively simple look, I think. There’s so much buried in it once you start digging.

My mother always told me: back away slowly from crazy people; they are everywhere.

“Voodoo Child” (21)


The story I thought was the standout of the collection was “Things I Know About Fairy Tales,” about a woman who is kidnapped for ransom. I think this was the favorite of a lot of readers and is the one she’s expanding into a novel. Rather than telling you how strong this story is, I will show you:

What you cannot possibly know about kidnapping until it happens to you is the sheer boredom of being kept mostly alone, in a small, stifling room. You start to welcome the occasional interruption that comes with a meal or a bottle of water or a drunken captor climbing atop you to transact some pleasure against your will. You hate yourself for it, but you crave the stranger’s unwanted touch because the fight left in you is a reminder that you haven’t been broken. You haven’t been broken.

“Things I Know About Fairy Tales” (38)

I could keep picking out bits that I liked, but let’s just say: it’s all good. This is an intense book. Perhaps it’s good that it’s short because you can only hold your breath for so long.

For accompanying musical atmosphere, check out Roxane’s Book Notes at Largehearted Boy.


P.S. In “All Things Being Relative” she compares Michigan’s Upper Peninsula with Haiti. Which reminded me, one of the reasons I first noticed her, even before I’d read much of her writing, was that she went to Michigan Tech. Back whenever that was, she was still a doctoral student there. Michigan Tech is my dad’s alma mater. When I was a kid, he’d get these alumni  mailouts, advertising their youth summer programs. One of them was a writing camp. Oh, how I wanted to go to that. I was always way too chicken to ask, though I honestly don’t know what answer I was more afraid of: yes or no. Both, maybe. Anyway, whenever she mentions the Upper Peninsula, it always reminds me that if different roads had been taken, that’s where I might have ended up.